So the other day, some jerk was giving the Wizard a hard time for having nice things to say about most of the records he reviews, even if they're abrasive and/or boring. Apparently it never crossed the kid's mind that the Wizard MAY ACTUALLY ENJOY painful, abrasive noise and in fact SAYS WHAT HE MEANS AND MEANS WHAT HE SAYS when he raves about music that most humans find completely unlistenable. As longtime readers know, the same goes for me: most of what I like is what most people hate, and often the more miserable a record is, the more enthusiastic I am about it. On that note:
Blame it on the recession or blame it on the numbing dominance of the European Union's ruling class, Brussels' Nnevteiga excels at droning, hypnotic noise that digs into your psyche like toothpicks to yr fingernails. Their second cassette-LP finds these Belgians digging deeper into the carrion pit of misery they began excavating on last year's self-titled debut. There's the same mix of grinding monotony, sheer brattiness, and a knack for hummable beats buried beneath sludge.
"Cold You and I" epitomises the band's sound: squalling feedback yields to a moronic metronome and the singer gulping, gurgling, and intoning beneath the grey film of choleric bathwater (that would be the synthesizers, I suppose). There's a delightfully numb-yet-tuneful bassline, added layers of vituperative noise gunk, and still that fucking gurgling bloody mess called singing.
I could continue this review, but that would be like describing my mental state: you can guess what the rest of the record is like without me spelling it out for you, right kids?
Sure you can. So hurry yr asses over to Nnevteiga's bandcamp page. There you can blow out your eardrums in style, before BUYING THE FUCKING THING. Which you should do; the artwork is gorgeous and the good folks at Tendresse Records send you weird 3D cards when you order copies of the tape. Said cards are really fun to waste hours staring at when you're cracked out of your mind on cheap beer, Varnelli, and whatever drugs you managed to scrounge from your longsuffering housemates.
Blame it on the recession or blame it on the numbing dominance of the European Union's ruling class, Brussels' Nnevteiga excels at droning, hypnotic noise that digs into your psyche like toothpicks to yr fingernails. Their second cassette-LP finds these Belgians digging deeper into the carrion pit of misery they began excavating on last year's self-titled debut. There's the same mix of grinding monotony, sheer brattiness, and a knack for hummable beats buried beneath sludge.
"Cold You and I" epitomises the band's sound: squalling feedback yields to a moronic metronome and the singer gulping, gurgling, and intoning beneath the grey film of choleric bathwater (that would be the synthesizers, I suppose). There's a delightfully numb-yet-tuneful bassline, added layers of vituperative noise gunk, and still that fucking gurgling bloody mess called singing.
I could continue this review, but that would be like describing my mental state: you can guess what the rest of the record is like without me spelling it out for you, right kids?
Sure you can. So hurry yr asses over to Nnevteiga's bandcamp page. There you can blow out your eardrums in style, before BUYING THE FUCKING THING. Which you should do; the artwork is gorgeous and the good folks at Tendresse Records send you weird 3D cards when you order copies of the tape. Said cards are really fun to waste hours staring at when you're cracked out of your mind on cheap beer, Varnelli, and whatever drugs you managed to scrounge from your longsuffering housemates.

