After spinning these Glaswegians' [sic?] debut EP, I can safely say that they are fans of mathrock. Their email winging the EP my way described them as a noise band, but their sound isn't as guttural as most groups I associate with that genre.
Instead, these nine tracks exhibit a pretty solid grasp of postrock songwriting. The production is a bit too mannered for my tastes, but it sounds like an aesthetic choice, not happenstance. Most of the tracks sound like the makings of jazz musicians who got fed up with playing in fancypeople bars and got into Scratch Acid. The drummer totally stole the opening roll for "novella written by retired mortician" (gee, these guys had their thesaurus at hand when naming these songs, eh?) from Joy Division, but eh, who isn't ripping off Morris & co. these days?
Anyways, you'll dig this if you like sustained, guitar-centered post-rock instrumentals. This is a lazy review, I know, but I'm on my way out of the house to get blackout drunk and try to make conversation with the anarchists of Florence, so buzz off.
Check out Antique Pony HERE.
Instead, these nine tracks exhibit a pretty solid grasp of postrock songwriting. The production is a bit too mannered for my tastes, but it sounds like an aesthetic choice, not happenstance. Most of the tracks sound like the makings of jazz musicians who got fed up with playing in fancypeople bars and got into Scratch Acid. The drummer totally stole the opening roll for "novella written by retired mortician" (gee, these guys had their thesaurus at hand when naming these songs, eh?) from Joy Division, but eh, who isn't ripping off Morris & co. these days?
Anyways, you'll dig this if you like sustained, guitar-centered post-rock instrumentals. This is a lazy review, I know, but I'm on my way out of the house to get blackout drunk and try to make conversation with the anarchists of Florence, so buzz off.
Check out Antique Pony HERE.
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