Half the reason I keep coming back to these guys is that I never know what an Opus Null release is gonna sound like: they started off last year with a handful of badly-recorded, thrash-y demos that sounded like the Germs dragged through a dumpster east of the Berlin Wall.
On this split LP with Szijj Ferenc (more anon), the boys have evolved (is that the right word?) in the direction of the spaced out freakrock that featured heavily on the guitarist's solo EP from June. Opus Null can still smash it up-witness their cover of the UK Subs' "Imposztor," which ends up sounding like The Standells-but there's a lot of instrumental stuff where they work out sonic landscapes, with varying success. Their side is split evenly between louder, noisier punk-style tunes and weirdo instrumentals that bring them ever closer to space- or math-rock territory.
I didn't know what to expect from Szijj Ferenc's side, but it wasn't highly processed soundscapes a la early Krautrock like Popul Vuh. Dude gives us five tracks of elaborate, orchestrated long-form jams that don't sound like much that I'm familiar with. It's really fucking good, in a totally left field sorta way. Imagine King Arthur and his knights serenading ladies of the court while popping acid, drinking Three Horses lager, and tooling around with synthesizers.
If you check out Drug Punk chiefly for the noise, garage or punk I post, you prolly won't dig this, but if you're willing to take a chance on some pretty idiosyncratic stuff, get into it. If not, fuck off and get back to buying whatever Pitchfork tells you is good.
Listen and download HERE.